Surveys Closed

May 28th 2016 –  Quick Update

The surveys for Goth – Just a Phase? are now closed.

I have received over 2000 responses to the surveys,  as well as conducting dozens of interviews, online chats, and discussions with people from all over the world. 

It has been amazing!Sureys Closed Small

I always welcome talking to people about their experiences in the Goth subculture, so please contact me directly if you wish to be involved.

Thank you again to everyone who has participated in this project.

Emma

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Melbourne Interviews: February 2016

Thank you to the wonderful people I met in Brisbane; it was fantastic to talk with you and to have the chance to enjoy your beautiful city, even if it was a tad hot!

Brisbane3

 

It was great to hear your perspectives on Goth identity and your experiences in the culture in the tropical North.  Exploring the city (and its pancakes) was a real pleasure.

Gothy Pancakes3

It was particularly fascinating to hear how the Brizzie scene – especially the clubs and retail outlets – has evolved over the years and how this has changed the way people connect, participate in the Goth scene and enjoy its music.  I look forward to discussing this more over the coming months.

 

Now it is Melbourne’s turn!

 

Melbourne Interviews

 

If you are interested in being interviewed for the Goth – Just a Phase?  research project I will be conducting interviews in Melbourne throughout February.

I am scheduling interviews at different restaurants, bars and other spots around the city, so please get in touch and let me know what suits you.

Also – if you are interested in taking part in a group discussion let me know.

After the Tears2

 

Please let me know via email or Facebook if you would like to participate or get in touch via the contact link.

Thanks again for your interest!

Emma

 

2016 Interviews

Interview Schedule Update


A quick note to Brisbane based folks…

I am currently planning the first Australian interviews.  Brisbane is first off the ranks!

Brisbane Interviews 2

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If you are interested in being interviewed for the Goth – Just a Phase?  research project I will be conducting interviews in Brisbane at the end of the month.

I will be in Brisbane  January 29th – 31st 2016.     Please let me know via email or Facebook if you would like to participate  or via the contact info link below.

There is some flexibility on these dates, so please get in touch and let me know what time or place suits you and I will try to fit in as best I can.
 
Melbourne, Sydney and Perth will be scheduled soon.
  ♥
Thanks again for your interest!
Emma

  ♥

Calling all Australian Goths…

Ok Australians, it’s your turn!

I am now scheduling interviews for Australian folk early in the new year.

I am based in Melbourne, but will be scheduling travel to other cities – so let me know if you are interested in participating.

As with the International survey, I have reopened the Australian survey (linked below) if you were unable to complete it last time.

Thank you if you completed this survey earlier in the year – there is no need to repeat it!

 

Once again, a massive thank you to everyone who has expressed interest in this research and to those who have already contributed.

If you are interested in participating further – feel free to contact me by email or Facebook.

Thanks again,

Emma

Whitby – One Month On

WHITBY by night3

First and foremost : A huge thank you to all the wonderful people I met, interviewed, chatted with, photographed and spent time with in Whitby, London, Manchester, Vancouver and all the other stops along the way.   It was brilliant to meet so many folks who were willing to share their stories and be part of this project – thank you for donating your time to my research.

I owe particular thanks to the people I spoke with in Whitby at both the Bram Stoker International Film Festival and the Whitby Goth Weekend.  Thank you for giving up valuable festival time to talk with me about your experiences in the Goth Subculture.

I truly appreciate the efforts you made to fit this project into your schedule. Your honesty, good humour, acceptance, generosity and integrity is a rare and wonderful thing and your contributions are greatly valued.

Bram Stoker International Film Festival 2015

From a research perspective, the weeks in Whitby are critical to the data-gathering phase of my study and time spent there has generated material which I will draw on throughout my project including lots of fantastic conversations and visuals.

From a personal perspective, the trip was hugely inspiring and has renewed my commitment to pursue this research and to write about the Goth subculture.

At a time when so much energy seems to be devoted to writing about societal division it is of some comfort to be reflecting on experiences of belonging.


 

Bram Stoker International Film Festival 2015

 Where to from here?

For the immediate future, I am working through the data I amassed overseas and writing up my notes.

Then, it is time for the Australian contingent!

I will be scheduling interviews in Australia over the next few months, and will reopen the Australian survey to correspond with these interviews.

 

Once again, thank you to everyone who has contributed to and supported this research.

Cheers,

Emma

          Whitby Goth Weekend 2015 (October)

 

 

Survey reopened

With all the events coming up this month, I have reopened the full International survey for a short time only for those who wish to participate – especially if you are attending a gig, event or festival in Europe.

Thank you if you completed this survey earlier in the year – there is no need to repeat it!

It will stay open throughout the Whitby Goth Weekend and event season, into the first couple of weeks of November.

 

Surveys are now closed – thank you for your responses.

Thank you to everyone who has expressed interest in this research.

I am looking forward to interviewing over the next few weeks.  Thanks also to everyone who has already participated particularly the very generous folks who have taken time out of festivities to chat to me – your contributions are greatly appreciated.

If you are interested in participating further – feel free to contact me by email or Facebook.

Thanks again,

Emma

Back in the Day: Perth Goth Club Scene 1989-1998

GothEye Back in the Day: Memories of the Perth Goth Club Scene 1989-1998 As discussed in a previous post, I have been exploring the visual nature of the Goth community as a source of inspiration and impetus for my research.  By digging through my old shoe-boxes of clubbing memorabilia and photographing some of its contents I am attempting to catalogue an indicative selection of club flyers, gig pamphlets and other ephemera from the Perth[1] Goth scene in the decade 1989-1998. A few are included here, and I will continue to add more to my Pinterest page as I digitise them throughout this project. During this time there were several highly creative, motivated and capable people in the Perth scene who collectively made stuff happen!

Amnesia 1

Amnesia Club Entry Card …Admit One

The flyers provide an illustration of the club/event activities of the subculture at the time; the start of this time period marks my early involvement in the club scene through my most active clubbing years during which I helped organise and promote Goth and Goth-Industrial club nights. The geographic isolation of Perth inspired an entrepreneurial approach to social enterprise within the Goth scene during this period.  With the costs of travel high, bands seldom scheduled lengthy tours of Australia, and when they did the far-flung city of Perth was often left off itineraries.

Who else remembers the I need a Cure tour petition??

Firm2

Inner City Firm – Club entry card c.1991

While this resulted in a limited number of major bands performing in the city during this period,  it succeeded in creating a self-supporting culture with an active club and local bands scene. Additionally, for some this isolation inspired travel and provided a catalyst for establishing connections between Goths living in Perth and communities overseas and interstate, which in itself generated diversity through drawing in external influences.

Skin Atrocity 3rd Birthday

Skin – The New Loft

Most people involved in the Perth Goth scene during this period actively contributed towards sustaining its social and economic activities beyond attendance at club nights and gigs. Members of the subculture established record stores, fashion design labels/stores, club nights, publications and other services to keep the subculture not just alive but thriving. A result of this communal desire to improve and support the subculture was a proliferation of specialised club nights and events, (particularly between 1992-5) organised by scene members with the support of nightclub proprietors.  The level of activity, as illustrated by these flyers, gave the Perth Goth and Industrial scene a strong support base which was further enhanced by retail enterprises such as specialist stores and aesthetic services such as body piercing, tattooing and hair-dressing.

The-Loft4

The Loft

This evolving sophistication of the Goth culture is also reflected in the production quality of the scene-generated ephemera.  Initially, the quality of the materials appears secondary to the primary purpose of effectively advertising events to the subculture in suitably familiar language, using in-culture references and styles to speak to the ‘right’ audience.   Improvements in technology, access to materials and reduction in printing costs during this period is evidenced by the transition of many of the brochures from cheap, photocopied amateur productions to more professional materials. Within this vibrant community, the emergence of subgenres is evidenced in the various club pamphlets.  Some venues specialised in particular styles of music – industrial, alternative, indie-pop, Goth – and  provided a venue in which events could be scheduled so as to satisfy the shared tastes of subsets within the larger Goth population.  Individual DJs delivered dependable setlists which catered to the needs of the various key audiences.

Ascension1

Ascension

Growing from the Punk scene, early Goth nightclubs of the late 1980s (such as The Red Parrot, Asylum, Inner City Firm, Fruition, Amnesia among others) provided the Perth scene with predominantly English-influenced Gothic Rock nights and my first introduction to the scene.  These clubs featured music from bands who themselves often did not consider their music Goth, nevertheless the music was (and is) heavily favoured by Traditional (Trad) Goths and played in almost all Goth clubs.

Berlin Club

Berlin Club Flyer c.1992

Industrial music had begun to find commercial success in the early 1990s; frequently featuring Goth-influenced imagery, alternative iconography and dark themes; it was a natural high-energy companion to the comparatively sedate musical approach of Goth.   The flourishing Industrial genre heavily influenced Perth Goth club nights, with setlists often featuring a mixture of Goth/Electro/Industrial and other alternative genres to a lesser degree, with a marked increase in the number of dance-oriented club events being scheduled in the early-mid 1990s.

Geremiahs 10

Desolation at Geremiah’s Nightclub c.1995

The promotional material represents the spectrum of aesthetics within the Goth scene, with Industrial flyers often favouring harsher, mechanised forms and horror themes.  Goth flyers utilise vampire, kitsch-horror and Victorian-influenced imagery to define and promote more traditionally influenced Goth events.  Alongside these are other alternative bands and genres including shoe-gazer and indie sets.  These distinctions demonstrate the stylistic differences in terms of music styles and visual representation as well as  design/iconography within the scene, simultaneously it shows the Goth subculture’s ability to co-exist with compatible music styles and social groups. In 1990s Perth, there was an amicable yet apparent schism between those who principally favoured less energetic rock-based music (the Trad-Goth aesthetics) in comparison to the parallel genre broadly grouped under the moniker Industrial, featuring faster, more electronic dance-oriented music styles, less formal Goth-influenced dress and an emphasis on dancing rather than exclusively focussing on social interaction within the club environment.  Clubs nights at Geremiah’s, The Loft, Interzone and Skin  (among others) catered for those who sought dance-intensive nights primarily featuring Electro Body Music (EBM) and Industrial tracks with strong Goth influences.

Recoil 1

Recoil – The Loft, Post-Detonation c.1995

With music containing mechanical and electronic noises accompanying heavily distorted vocals, the Industrial music genre also generated an occasionally uneasy association with heavy metal and thrash music; genres less congruent with the more flamboyant Goth scene.  This shared patronage, however, helped sustain the subculture and provided financial stability in an otherwise niche market in a geographically isolated city. At times this resulted in uneasiness, when patrons unfamiliar with Goth aesthetics  reacted to the extreme styles of the Goth patrons, sometimes approaching Goths with benign curiosity, sometimes with genuine animosity and attempts to generate confrontation.  While these events were rare, the reliance on nightclub proprietors to provide space for Goth events, in part  prompted future generations of the scene to be more self-managing, establishing dedicated Goth events management and membership-based clubs such as Dominion to better serve the needs of the Goth community.

Interzone - Club Industrial

Interzone 1994

The flyers presented here articulate by example the self-generating and sustaining nature of the Perth Goth and Industrial scene and record a period of high creative activity in the subculture.   The ephemera itself represents examples of subculture specific iconography and thematic preoccupations, and demonstrate the scene’s ability to effectively self-promote and instinctively engage with its participants.[2]

Dominion1

Dominion c. 1998

[1] Perth, Western Australia for basic information about the city see : http://en.wikipedia.org/wiki/Perth [2] Not all clubs of the period are represented here, just a sketch of the overall scene.  I will continue to add to this theme in future posts, including excerpts from various street press and other media.